Ka Baird is a musician, performer, composer and sound designer based in New York City. They are known for their live performances which include extended voice and microphone techniques combined with electronics and psychoacoustic interplay of flutes and other woodwinds. They create a present tense sound with a vigorous, ritualistic delivery that seeks extreme release through physical exertion and psychic extension. They have worked/collaborated with many other musicians, artists, filmmakers and choreographers, both in structured compositions and in their dedicated practice of improvisation and interdisciplinary work. 

 

They are one of the core members of Spires That In The Sunset Rise, founded in Chicago in 2001. Their debut solo album "Sapropelic Pycnic" was released through independent Chicago label Drag City in 2017. Their latest recording "Respires" was released through Brooklyn based imprint RVNG Intl in October 2019. Recent national and international engagements have included performances at Unsound Festival (Krakow, PL), Lampo (Chicago, IL), Museum of Contemporary Art (Chicago, IL), MoMA PS1 (Queens, NY), Issue Project Room (Brooklyn, NY), The Kitchen (NYC), The Institute of Contemporary Art (Philadelphia, PA), TUSK Festival (Newcastle, UK), Incubate (Tilburg, NL), KRAAK (Brussels, BE), Le Guess Who (Utrecht, NL), and the Festival Of Endless Gratitude (Copenhagen, DK). They have been artist-in-residence at We Jazz Festival (Helsinki, FI), Sonoscopia (Porto, PT), Inkonst (Malmo, SE), Experimental Sound Studio (Chicago, IL), and Pioneer Works (Brooklyn, NY). They have been a recipient of the Foundation of Contemporary Art's Emergency Grant,  a Jerome Foundation Artist-In-Residence at Roulette Intermedium, and is currently a Jerome Hill Artist Fellow through 2023-25.

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For EU booking contact denystommy@gmail.com

For UK bookings contact Pawel Gozdziewicz reddogconcerts@gmail.com

For North American bookings contact sapropelicpycnic@gmail.com

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Artist Statement:

I am obsessed with hyper-presence and physicality. There is an earnest precision, teetering between slapstick and ritual, to the visceral delivery of my sound shaping.  I want to spew sound around, much like spit or the exhalation of a breath, deconstructing it as it is dispersed. 

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